(Belgian, born 1952)

Anne Dykmans employs her superb command of engraving techniques, especially mezzotint, to create a special light which brings out the beauty in the simplest of everyday subjects - a chair, a ribbon, the beach. In addition to the beauty of form and light, she is also able to evoke emotion as in the sensuous human dialogue we feel through the imagery of two softly swaying beach chairs on a warm summer evening.

Critic Roger Pierre Turine has written that "the subject is of little importance. All that counts in Dykmans' work is that halo of light that surrounds it; that moment of solitude, never foreign to us as long as we are able to discover those same images within ourselves. She approaches her commonplace realities gently, yet there is always a brilliance in her work, ever accentuated by the subtle play between the possible nuances from black to white."
Affinity
A Kertesz
Anytime
Aura
Blues
Brume
Duo
Ecart
Fugue
Inclination
Interieur au Panier
Interieur I
La Peche V
Magic
Night Flight
Oies Blanches
Ondes
Passage
Pomme II
Riviere
Round Midnight
Rue du Printemps
Sunday
Tribulations